Context & Culture Homepage

Subject: CCE - Context & Culture - 2015

VUIT Digital Arts, Victoria University

Teacher Name: Lisa Cianci - email: lisa.cianci@vu.edu.au
Education Manager: Adam Hutterer - email: adam.hutterer@vu.edu.au


Class Website -http://vuitarts.net.au/lisa/2015/CCE

Class 11 - Essay Plan & Artist Statement - Future-proofing for Artists

Class Activities

Task 1 (part 2): The Essay Plan

Today I will be asking to see your essay plan for your next assessment task. The essay plan will help you to identify what you want to write about and help you to structure your essay in a flowing and logical way. It will also hlep you to identify what references you need and where you can use quotes.

The essay plan will be assessed as part of the overall essay assessment task so make sure you have something to show me!

Email me your essay plan by the end of class.

 

Task 2: The Artist's Statement:

Write a brief artist statement about your self and your creative practice. Focus on who you are and what you do. Research is useful here to see how other artists present themselves. You will find many examples online, or at any exhibition you might attend. Tone and style of the statement also say something about you.

Here are some useful online articles about writing an artist statement:
http://www.artstudy.org/art-and-design-careers/artist-statement.php
http://theabundantartist.com/how-to-write-an-artists-statement-that-doesnt-suck/
http://artistemerging.blogspot.com.au/2006/08/writing-artists-statement.html

Save your artist statement to add to the other parts of your content management project document. You should have the following parts by the end of this week:

Content Management Project - Document Outline:

  1. Provenance: artist statement) (this week - class 11)
  2. Collection: archival plan) (last week - class 10)
  3. Series descriptions (next week - class 12)
  4. Inventory: catalogue of works (with images) (next week - class 12 & 13)

 

 

 

Homework / Readings

Work on your essay. You should be able to make good progress nowq you have an essay plan to guide you.

References - archives & preservation of creative content

 

Rhizome.org Artbase

Variable Media Network / Forging the Future

DOCAM Research Alliance

Digital Lives Research Project

Archive2020

Artnodes #10

Dublin Core Metadata Standard

Archival description - ISAD(G)

Archives/Records Continuum

 

texts

Dekker, Annet (ed) 2010, Archive2020: Sustainable Archiving of Born–Digital Cultural Content, Virtueel Platform, May 2010

Derrida, Jacques 1996, Archive Fever: A Freudian Impression, University of Chicago Press, USA

Dietz, Steve 2005, “Collecting New Media Art: Just Like Anything Else, Only Different”, in Bruce Altshuler, ed. Collecting the New, Princeton University Press: Princeton and Oxford

Eden, Xandra (curator) et al 2008, The Lining of Forgetting: Internal and External Memory in Art, Weatherspoon Art Museum, The University of North Carolina at Greensboro

Enwezor, Okwui 2008, Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography, New York, USA and Steidl Publishers, Göttingen, Germany

Fino-Radin, Ben 2011, Digital Preservation Practices and the Rhizome Artbase, Rhizome at the New Museum, Rhizome.org viewed 12/01/2012, <http://media.rhizome.org/blog/8332/rhizome-digital-preservation-practices.pdf>

Harding, Anna (ed) 2002, Potential: Ongoing Archive, p.51, published by Artimo, Anna Harding & the John Hansard Gallery, UK

Manoff, Marlene 2004, Theories of the Archive from Across the Disciplines”, Project Muse portal: Libraries and the Academy, Vol. 4, No. 1 (2004), pp. 9–25. The Johns Hopkins University Press, Baltimore

MCA 2012, MCA Contemporary Art Archive, Museum of Contemporary Art, viewed 03/01/2012, <http://www.mca.com.au/artists-and-works/mca-collection/about-mca-collection/contemporary-art-archive/>

Merewether, C. (ed) 2006, The Archive: Documents of Contemporary Art, Whitechapel Gallery, London, UK and The MIT Press, Cambridge, Massachusetts, USA

Morris, Frances 1998, “Art Now: Sophie Calle”, Tate Online, Tate Britain, viewed 10/10/2010, <http://www.tate.org.uk/britain/exhibitions/artnow/sophiecalle/default.shtm>

Pederson, Ann 2001, “Basic concepts and principles of archives and records management”, Understanding Society Through its Records, John Curtain University, viewed 12/03/2007, <http://john.curtin.edu.au/society/archives/management.html>

SAA (Society of American Archivists), 2004, Glossary of Archival and Records Terminology, Society of American Archivists, last viewed 17/9/2004, <http://www.archivists.org/glossary>

Spieker, Sven. (2008). The Big Archive: art from bureaucracy, Cambridge, Massachusetts, USA, The MIT Press (Copyright, Massachusetts Institute of Technology)

Warnke, Martin & Wedemeyer, Carmen 2010, “Documenting Artistic Networks: Anna Oppermann’s Ensembles Are Complex Networks!”, Leonardo, Vol. 44, No. 3, pp. 258–259, 2011